12 posts tagged “blondie”
The opening show of Blondie, Pat Benatar, and the Donnas' Call Me Invincible Tour Tuesday night in Saratoga, CA, was like a riot -- a nicely organized riot with a seating chart, vigilant security, and lots of Chardonnay. - read more at Spin Magazine Online
Deborah Harry - One of the things that put Blondie on the map was “Heart of Glass,” which crossed over. Stephen art directed the video. Well, at that point, crossing over was not hip. It was foul play and corruption and a lot of the rock ’n’ roll people were disgusted. But Stephen got it. Because his own taste was hardcore rock ‘n’ roll, and yet he was part of the fashion world.
Dennis Christopher, colleague at Halston - We’d stay late and smoke marijuana and turn the music up really loud and Stephen would draw. That was what we did while the king was away. We also used to sneak clothes out for Debbie Harry to wear. She wasn’t famous yet and a couple times we got in trouble for that. - Magic Marker
Fan club remix. Buy the original version of 'Fit Right In' and Debbie's latest album 'Necessary Evil' on Amazon & iTunes.
Check out debbie-harry.net and blondieforum for more info!
Fans were in rapture when Blondie performed on Wednesday July 9 at Moscow's B1 Maximum.
Some call her the Queen of New Wave, others the Mistress of Punk Rock. One way or another, Debbie Harry is better known as Blondie. The iconic beauty whose posters decked the walls of millions of teenagers' rooms in the late 1970s & early 1980s, has performed at the B1 club with her band. - Russia Today.
Clem Burke interview with The Moscow Times
Clem Burke interview with The St Petersburgh Times
A 30th anniversary celebration for Blondie's "Parallel Lines" album was not the band's idea, according to singer Debbie Harry. "It's really sort of traditional EMI behavior," the group's frontwoman and namesake tells Billboard.com with a laugh. "None of us really were counting the hours and the days or whatever."
But Harry says she and her compatriots are happy to participate in the party, which includes an expanded "30th Anniversary Edition" of "Parallel Lines" on June 24 and a tour that begins June 5 in Baltimore.
"It was a good period for us, a very good period," Harry notes. "We were starting a new relationship with a new label (Chrysalis) and a new producer (Mike Chapman). We really liked the music. It was a very exciting time."
"Parallel Lines," Blondie's third album, provided the group with its commercial breakthrough, going platinum and peaking at No. 6 during a 103-week run on The Billboard 200. The single "Heart of Glass," which Harry says she and guitarist Chris Stein wrote several years earlier, hit No. 1 on the Billboard Hot 100, while "One Way or Another" made it to No. 24.
The album has sold more than 20 million copies worldwide, but Harry was most pleased about its impact in the States. "We'd had hits all over the world -- in Europe, in the U.K., in Australia," she says. "But having a hit at home after three years of being on the road was really, really important to us."
The "Parallel Lines (30th Anniversary Edition)" includes the 7" single version of "Heart of Glass," the French version of "Sunday Girl" and some remixes, plus a DVD with promo videos and TV performances. During the tour, the group -- which still includes founding members Stein and drummer Clem Burke -- plans to play the album in its entirety. "A couple of the songs we might try to do a little more punky," Harry says, declining to reveal which ones.
Harry -- who released a solo album, "Necessary Evil," in 2007 -- thinks the "Parallel Lines" celebration "will draw the group closer together in a way," but she's not sure it will lead to new Blondie material.
"Chris and I have been working on a couple of things," she says, "but I don't know exactly what the future of Blondie is for new material. We've always been open for the opportunity to make some new stuff, but with the industry the way it is, it's kind of difficult, especially for a band that's been around for a while. They're not really looking at you for anything new, so you're sort of stuck with the things that people know you for. We'll have to wait and see."
- Billboard.com
Original fans and new generations alike are undoubtedly bursting with excitement at the prospect of Blondie playing at this year’s GuilFest. The American band, who delighted and excited crowds in Guildford four years ago, are set to be performing once again as a headline act on Saturday, July 5. Guitarist and songwriter of Blondie, Chris Stein has been one of the core members of the group since they formed in the 70s.
Stein met lead singer Debbie Harry when he joined the Stilettos in 1973. The pair, who later became romantically involved, went on to recruit musicians and form Blondie. The name was chosen because it was what imaginative truckers used to shout out at Harry when they drove past in their trucks.
Stein, who has visited the UK on several occasions to perform, said: “I remember the very first show we had in England, how amazed we were to see how enthusiastic the crowds were, even compared to the American crowds. We’ve been doing these UK tours every year, Guildford’s one of these places where we’ve been before. We always walk around a little, but we do so many, things tend to blend together, so it’s hard to remember. It all comes back to you when you’re there though. For this year’s tour we’re going to try and add some new stuff.”
After gaining fame in 1978 following the release of the album Parallel Lines, Blondie stayed together for just four years before splitting up.
“We got back together in 1999, and it seems to be very successful. After we did that a lot of bands started doing reunions, we’ve always been a little premature in what we’re doing. I don’t think the dynamics really changed over that time,” Stein said.
When asked whether the band members still get on well together, he replied: “Sure. The band is what it is, it’s a family.”
Another reason for Blondie splitting up was the New York-born guitarist developing a rare and potentially fatal skin disease known as Pemphigus. Despite the fact that he spent a number of years recovering, he does not believe the experience had a particularly profound effect on him.
“I think having kids has changed my outlook on my life more than that, being able to spend time with my two girls has affected me a lot more than the medical thing,” he said.
When asked about how he feels about touring, Stein said: “I just love doing the show, I really missed playing with the band when we stopped. It gets me, everybody seems enthusiastic, everybody seems to look like they like it. Though I’m anti the rock star thing, although at the same time I think when anybody steps off stage they see themselves in that way.”
He added: “What I don’t like about being on tour is leaving the kids; they come to the American shows.”
Many bands have risen and subsequently dived into obscurity since Blondie first came onto the music scene.
Stein explained that he doesn’t really consider how his band compares to the competition.
He said: “I really don’t see other bands, though I saw the Blind Boys of Alabama, they were fantastic. The music I listen to is old reggae music, for pleasure.”
To book tickets to see Blondie or any of the other acts at GuilFest visit www.guilfest.co.uk/2008 or call the ticket hotline on 0871 424 0050.
First printed in: Surrey Advertiser
Hard to believe it, but Parallel Lines, the breakout album from New York City new wave icons Blondie, turns 30 this year. Frequently cited by critics and fans as Blondie's best, Parallel Lines spawned at least two instantly recognizable and ubiquitous classics-- "One Way or Another" and "Heart of Glass"-- and went on to sell 20 million copies worldwide. Not too shabby for a band which, as Blondie drummer Clem Burke nonchalantly puts it, was "just making music" at the time.
Pitchfork chatted with Burke recently about the album's pearl anniversary and the two celebratory gestures Blondie have planned: a deluxe reissue and two solid months of special shows on both sides of the Atlantic.
"We just wanted to make a statement about the Parallel Lines record being 30 years old," Burke offers matter-of-factly, before adding, with a laugh, "We wanted to make a statement that we're all old. We wanted to make sure everyone knew how old we were."
The North American half of the anniversary tour kicks off June 5 in Baltimore and fills out most of that month, followed closely by a gig in Israel and jaunt around Europe in July. And in ATP/Don't Look Back fashion, Blondie plan to rock Parallel Lines from front to back at each stop. "That's the general idea," Burke explains. "We're going to play the record and then another 45 minutes of Blondie stuff.
The other stuff will likely be a mix of songs from Blondie's late 1970s/early 1980s heyday and some material recorded since the combo reconvened in the late 1990s. "At this point, it's still kind of in the planning stages," Burke says. "We have a list of songs we can do. I guess we're going to have to wait and see how they feel when we play them live. I would definitely like to do stuff from the first two albums [1976's Blondie and 1977's Plastic Letters] that we don't really perform that often, that most people probably don't even know."
Burke doesn't really have a favorite song off Parallel Lines, but the ascent of one particular track buried deep in the album continues to amuse him. "At the time, we got a lot of flak for 'Heart of Glass'. [Now] it's one of the main Blondie songs that has endured and contributed to our success."
Blondie have delivered two records since reuniting late last century, 1999's No Exit and 2004's The Curse of Blondie. Can we expect another one? "We're definitely always talking about that," Burke reveals. "I think really, for ourselves, we need to make some new music, and it's been taking a while. I think it's time for a new record, just for ourselves. I would like to do a record that is without technology, myself. Just [us in the] studio, just playing, you know? I think the last record got really bogged down with technology."
The creation of new Blondie material these days regularly has to compete with a number of factors, including various band members' side pursuits. Deborah Harry, for instance, released solo album Necessary Evil last year, while Burke himself has at least two side-things going: Slinky Vagabond, which also features Glen Matlock of the Sex Pistols, and Magic Christian, led by Cyril Jordan of Flamin' Groovies fame.
A recent trip to Austin with Magic Christian helped Burke reconnect with his roots in the rock underground. "We did South by Southwest. We did five shows in two days at SXSW, really guerilla style, just kind of showing up at a venue, throwing gear on the stage. It was pretty damn fun. I think it's positive for me to do things like that."
Other than that, Burke's just "really excited about the [Blondie] tour. If it was up to me, we'd be on the road 300 days a year. I admire artists like Springsteen and Dylan-- obviously, they do it because they enjoy it. When I feel the most normal is when I'm on stage; I really enjoy touring. At this point, it's like going on vacation."
As for what's keeping Burke from his 300-days-a-year ideal? "Couches, beds, TV sets, kids," he shares with a laugh. "All those kind of things, I guess."
- Pitchforkmedia.com
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Debbie Harry has been writing and recording some new tracks, and “Fit Right In” is from these sessions. Total straight up dance pop that should have Kylie and Madonna shaking in their boots. Listen, leave a comment and download the song for free at Big Stereo - http://this.bigstereo.net/
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